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The Figurative Programme of the Architraval Friezes in the Forum of Trajan, Rome

机译:罗马图拉真论坛上的档案收藏家微雕作品

摘要

In Rome's Forum of Trajan fragments from architraval friezes with figurative motifs of seven different types have been discovered over the centuries: eagle-headed griffins and candelabra; eagle-headed griffins and tripods; eagle-headed griffins and cupids; lionheaded griffins, cupids and vases; cupids in acanthus; Victories killing bulls and dressing candelabra; sphinxes. The aim of this research is to investigate if there is a connection between these decorative motifs and the architectural structures where they were exhibited, and if their iconographic choice depends on their deeper significance in the Forum's wider context. Following an introduction to the history of the excavation of the Forum and to its different sections, for each frieze type is proposed a comprehensive analysis of all the fragments with an ascertained provenance from the Forum, which have never previously been studied together. Their location in the different buildings forming the Forum's complex, as identified through information from excavation reports, drawings and the relevant reconstruction of the architectural orders is discussed, as well as their iconography and comparison with other artworks and monuments, which attests that Trajan chose a traditional iconography already used in previous similar examples in contexts comparable to the various structures of Trajan's Forum.\udAgainst this background, we argue that the reliefs were part of a wider figurative programme, and Trajan expressed the messages he wanted to transmit through the traditional language of his predecessors. Griffins, cupids, Victories and sphinxes are polysemous mythological figures, attributes of different divinities: their symbolism related to diverse gods depending on their various aspects can be interpreted according to the function of the buildings forming the Forum when it is known, or can help to investigate the use of these structures when it is not known.
机译:几个世纪以来,在罗马的图拉真论坛上,人们发现了带有七种不同类型象征图案的始祖带饰碎片:鹰头狮riff和大烛台;鹰头狮riff和三脚架;鹰头狮riff和丘比特;狮头狮riff,丘比特和花瓶;老鼠的丘比特;胜利杀死公牛并穿上烛台;狮身人面像。这项研究的目的是调查这些装饰图案与它们所展示的建筑结构之间是否存在联系,以及它们的图像选择是否取决于它们在论坛更广泛背景下的更深层意义。在介绍了该论坛的发掘历史及其不同部分之后,针对每种fr带类型,建议对所有片段进行全面分析,并从论坛中确定出处,这是以前从未一起研究过的。讨论了它们在论坛论坛大楼不同建筑物中的位置,通过挖掘报告,图纸和相关建筑秩序的相关信息确定了它们的位置,并讨论了它们的图像以及与其他艺术品和纪念碑的比较,这证明了Trajan选择了一个在以前的类似示例中已经使用了传统的肖像画,其语境可与图拉真论坛的各种结构进行比较。\ ud在这种背景下,我们认为浮雕是更广泛的形象化计划的一部分,图拉真表达了他想通过传统语言传达的信息他的前辈。新来的人,丘比特,胜利和狮身人面像是多义的神话人物,不同神性的属性:它们根据不同方面与不同神灵相关的象征意义可以根据形成论坛的建筑物的功能来解释,或者可以帮助调查这些结构的使用情况(未知)。

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    Nicotra, Laura;

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  • 年度 2015
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